Read, Watch & Listen

In Noguchi TV we celebrate the enduring legacy of Noguchi’s work through a series of short films with artists, designers, architects, and dancers. 

On this week’s archive edition, we shift our focus back to 2013 when the venue celebrated composer Benjamin Britten’s centenary.

In this compelling interview with Thelma Schoonmaker we explore her legacy: A film editor who has worked with Martin Scorsese for over 40 years - from Raging Bull, to the subject of our podcast, The Silence.

On this week’s edition we travel back to 2017 and meet up who director Sally Potter who invites you and some special guests to The Party…

We return to our archive and remember a conversation with Mike Leigh about Peterloo, a gritty, real and sorrowful film from this excellent British director.

For our final ScreenTalk of Season 2, we’re talking with actor Richard E Grant and his role in Can You Ever Forgive Me?, for which he received his first Academy Award nomination. 

Richard Dougherty and Christopher Laing walk through our How We Live Now installation. 

This week, we’re speaking not to a director, or an actor, but an author: Naomi Alderman, who discusses the film adaptation of her first novel, Disobedience.

Journey through The Curve and discover Mumbai-based artist Shilpa Gupta's exhibition 'Sun at Night'. 

Maxine Peak plays Funny Cow, a woman who want to make people laugh, someone who refuses to give up on her dreams. The film is the fictional tale of a woman who dreams of making it in the unforgiving northern comedy circuit of the 70s. 

This week, New York Times dance critic Alastair Macaulay, dancer and choreographer, Dame Siobhan Davies, Radiohead drummer and musician Philip Selway, and director Alla Kovgan about Kovgan’s amazing 3D documentary, Cunningham.

Over this three-part series we’ve entered a parallel universe of video games music, from the chunky world of 8-bit tunes to the full studio cinematic scores that define the modern immersive gaming experience. These mechanical melodies have been sneaking out of the consoles and into the concert hall for well over a decade.