
Shadow play in the Chat Noir
We take a closer look at the iconic Chat Noir cabaret in the bohemian Montmartre district of Paris, as recreated in our 'Into the Night' exhibition.
We take a closer look at the iconic Chat Noir cabaret in the bohemian Montmartre district of Paris, as recreated in our 'Into the Night' exhibition.
Winners of this year’s Oxford Samuel Beckett Theatre Trust Award, SUPERFAN perform Nosedive, using contemporary theatre and circus to look at how cooperation, trust and security shift at different stages of life.
We embark on a noctural journey full of passion, transgression and joy as we look at these films exploring what happens in bars and clubs after dark.
Artist Trevor Paglen talks to us about AI bias, the power algorithms can hold, and how images can become a currency in a digital age.
We explore how man-made, physical borders are represented, challenged and transgressed through the medium of film in our November cinema season.
Caroline Sinders argues that social media’s problems are a product of their very design.
What if everything was the same - but it looked better? Emily Downe presents her animated short, 'Better', exploring the ideal worlds of a perfectionist culture.
Bitcoin might be faltering, but Bettina Warburg thinks that technology can still reinforce trust online.
Although she won the Silver Lion at the Venice Film Festival and directed Marlon Brando to an Oscar nomination, filmmaker and director Euzhan Palcy’s work remains neglected in the UK, and her films are rarely shown. Here are three things you should know about the director.
Don’t be so sure, says Adam Greenfield, as he explores the thinking and impacts behind social credit.
What makes a good violin? Violin maker and restorer, John Dilworth, investigates the history of violin making.