Read, Watch & Listen

English art director and graphic designer Peter Saville takes us through the creative process behind the poster for Michael Clark's current/SEE. 

We look back to 2016 when we spoke to screenwriter Allison Schroeder about the Oscar nominated film, 'Hidden Figures'. 

Watch a panel discussion with Beyond 'There's always a black issue Dear' director Claire Lawrie and legendary performer Les Child. 

Composer Susan Stenger and filmmaker Sophie Fiennes revisit their memories and experiences working with Michael Clark,including the production of current/SEE.

In a new interview series, we get to know some of the performers, artists and creatives from our programme. Cross-discplinary creative Jamie Hale talks to us about their process and creating work during lockdown.

Fashion designer Charles Jeffrey and Michael Clark Company Associate Director and previously dancer, Kate Coyne discuss the role of fashion and costume in Michael Clark's work. 

A powerful film about defining your identity, we learn more about director Roxy Rezvany’s ‘Like a Fish Out of Water’.

Director Lexi Kiddo discusses his new film, ‘Every Dark Wave’, a meditation on mindfulness and balance. 

We speak to director Natasha Mwansa about her film, ‘Damian’ – a love story. 

We decided to go a little left-field of the traditional favourite Christmas movies list and instead our cinema team have selected their favourite films about family and friends coming together. It’s certainly an eclectic mix, with something for everyone!

This week we revisit a series of interviews with musicians James McVinnie, Eliza McCarthy and Timo Andres, about the rare performance of composer Philip Glass's ‘Music In Twelve Parts’ in May 2017. A milestone in minimalist music, slowly revealing itself through hypnotic patterns of change over four hours. 

What does it mean to live a small, finite life in a possibly infinite, eternal universe? With the BBC Symphony Orchestra and their Principal Guest Conductor Dalia Stasevska, Professor Brian Cox sets out to explore what he considers ‘the only interesting existential question’