What Is Happening Inside?
What Is Happening Inside? is a development programme in which young people produced sound pieces that engaged with what happens inside institutions and considered how communities can take control.
Find out more about the participants and their sound pieces here.
Details
Remote Sounding - Aron Weber
"My piece is a détournement of three archive recordings from the Defense Advanced Research Project Agency’s archive about the conception of interconnected computer systems and real-time simulations to be used in military training. This research now came to dominate decision making from policing to city planning, while remaining ontologically indistinguishable from the original militaristic logic of the project. My piece aims to show how subjective machines of sensing are capable of creating new information from gaps of data and that these simulated images are then used by systems of machine vision to justify their decision making and biases, forming a feedback loop."
Trigger warning: the piece contains archival footage from American military archives, which might be triggering for some listeners - the piece is intended to critique military training methods and is in no way promoting military propaganda.
Aron is an artist and researcher based in London, currently working towards a master’s degree in Situated Practice at the Bartlett School of Architecture. His current research examines how information capitalism and its associated infrastructures enable new forms of exploitation and how this is reflected in the built environment. He uses sound and digital media to intervene in machine vision and remote sensing systems, translating them into tangible forms. This allows us to be critically engaged with them and recognise how images produced by them are used to reinforce their own biases.
Inquiry - Harry Harrison
"My piece ‘Inquiry’ reflects on the Grenfell tragedy on 14 Jun 2017 and its aftermath. The 6 year anniversary approached while I determined the focus of this project. I had been working in the nearby Notting Hill area, delivering luxury food items to its affluent residents while the scaffolding-clad tower loomed over me bearing its message “Forever in our hearts”. How could a lethal event like this happen in such a rich borough? My broadcast attempts to grapple with this question and reaches a perhaps unsurprising conclusion that imparts a chilling message for wider society."
Trigger warning: the piece is about the Grenfell Tower tragedy, which some people may find upsetting.
Harry is a 25 year old electronic music producer hailing from Brighton. Having spent the last several years there studying music, he attributes lockdown as a turning point in his practice. Going from playing weekly noise shows to being trapped indoors with a laptop, he now puts more emphasis on manipulating found-sound and field recordings with samplers and effects, yet still takes delight in hard hitting abrasive sounds. Having recently moved to London in search of a fresh environment to apply this new perspective on his practice, he is excited to become involved with London’s club culture and observe how the city imprints itself onto his sound.
Crystallised Estate - Tam Lines
"For Crystallised Estate, I recorded the sounds of two locations where Brutalist housing estates were built - the Barbican and Elephant & Castle. These recordings, many of which were picked up from the vibrations of the solid concrete, were arranged alongside text written reflecting on these environments. Why does one estate persist as a grade II listed building while the location where the Heygate estate stood is claimed by redevelopers? I explore how access to a sense of place, with the history and stability that includes, has become rarefied."
Tam Lines is a multidisciplinary artist, writer, and musician. Their work often focuses on the boundaries between the human and nonhuman, incorporating post-humanist and queer theory, new materialist thought, cybernetics, horror and sci-fi media and introspective poetic approaches.
Current fields of research include:
- Attempting eerie and absurd artistic approaches to circumvent the tendency in digital culture to alienate creators and consumers from their work, social relationships, and their environments.
- Sonic investigations into urban non-places in a time of rent crisis.
- Critical investigations into the role that corporate AI has in further disenfranchising artists.
Level G Hub
Location
Level G,
Barbican Centre
Silk Street, London
EC2Y 8DS
Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.
We’ve plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus