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Lynda Benglis

Encounters: Giacometti

Lynda Benglis standing next to one her sculpture titled Ghost Dance/Pedmarks. It is a large, gold, torso-like form hanging on a white wall.

Works by contemporary artist Lynda Benglis and 20th century sculptor Alberto Giacometti are displayed together for the first time in this major new exhibition, the third in Encounters: Giacometti.

Lynda Benglis presents a new body of previously unseen works alongside her own selection of Giacometti’s sculptures, opening up intergenerational connections and dialogues.

Since the 1960s, US artist Benglis has been celebrated for the free, ecstatic forms she has made that are simultaneously playful and visceral, organic and abstract. Alberto Giacometti is one of the most significant European sculptors of the 20th century, known for his distinctive, elongated sculptures which experiment with the human form.

This is the third of three exhibitions as part of Encounters: Giacometti, a series that brings together the practices of three contemporary artists known for their originality and ingenuity alongside historic works by the Swiss sculptor Alberto Giacometti (1901-1966).

Co-organised by the Barbican and the Fondation Giacometti
In partnership with the Kiran Nadar Museum of Art, New Delhi

The Encounters: Giacometti series is generously supported by Blanca & Sunil Hirani Foundation, Cockayne Grants for the Arts, a Donor Advised Fund held at The Prism Charitable Trust, Art Mentor Foundation Lucerne, and Tia Collection, with additional support from the Stanley Thomas Johnson Foundation.

The words Fondation-Giacometti in black, all caps text. Underneath is a rectangular graphic depicting an form resembling the Walking Man sculpture.
Kiran Nadar Museum of Art - logo April 2025
Supported by Cockayne – Grants for the Arts and The London Community Foundation logo
The Art Mentor Foundation Lucerne Logo. On the left, the words Art Mentor are in a bold, black font. To the right, Foundation Lucerne is in a lighter font.
Lynda Benglis standing next to one her sculpture titled Ghost Dance/Pedmarks. It is a large, gold, torso-like form hanging on a white wall.

Lynda Benglis

Since the 1960s, Lynda Benglis has been celebrated for the free, ecstatic forms she has made that are simultaneously playful and visceral, organic and abstract. 

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