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The Poetic Lens of Margaret Tait (12A) + Introduction

Experiments in Film

Margaret Tait stands by two large, old fashioned cameras with a man next to her in an image from the 1970s.

A special programme presenting a selection of Margaret Tait's evocative films, all screened in their original 16mm format.

The collection showcases her distinctive blend of visual poetry and documentary realism, inviting viewers to experience the delicate interplay of light, colour, and rhythm that defines her work. 

From the tranquil beauty of "Garden Pieces" to the lyrical interpretation of Gerard Manley Hopkins' poem in "The Leaden Echo and the Golden Echo," each film captures Tait's unique vision and her ability to find the extraordinary in the everyday. This retrospective offers a rare opportunity to immerse oneself in the cinematic world of one of Scotland's most visionary filmmakers.

Introduced by Sarah Neely

Film Programme

Garden Pieces (1998) - 12 min

Margaret Tait's final film, "Garden Pieces," is a beautiful and contemplative exploration of nature and time. Through poetic imagery and rich colors, Tait captures the serenity and subtle changes within a garden, creating a meditative experience that reflects on the cycles of life.

 

The Leaden Echo and the Golden Echo (1955) - 6 min 42 s

Based on the poem by Gerard Manley Hopkins, this film is a visual interpretation of the themes of beauty, decay, and renewal. Tait's use of rhythmic editing and evocative imagery brings a new dimension to Hopkins' words, blending sound and sight into a harmonious whole.

 

Colour Poems (1974) - 10 min 56 s

A series of vivid visual vignettes, "Colour Poems" showcases Tait's unique ability to find poetry in everyday scenes. The film's fragmented structure and vibrant palette reflect her experimental approach, creating a collage of moments that speak to the beauty of the ordinary.

Tailpiece (1976) - 9 min 4 s

"Tailpiece" is a reflective work that looks back on the themes and techniques of Tait's earlier films. It serves as a fitting epilogue to her body of work, summarizing her exploration of personal and observational cinema with a sense of quiet contemplation.

 

Aerial (1974) - 4 min 13 s

In "Aerial," Tait experiments with the interplay of light, shadow, and movement. This short film captures fleeting impressions of the natural world, using minimalism and abstraction to evoke a sense of the ethereal and the transient.

 

On The Mountain - 30 min

A more extended exploration of landscape and human presence, "On The Mountain" delves into the connection between people and their environment. Through a series of intimate and expansive shots, Tait weaves a narrative that is both personal and universal, reflecting on the enduring relationship between humans and the natural world.

Sarah Neely

Barbican Outdoor Cinema is back!

Enjoy film nights under the city lights at our Outdoor Cinema this summer

Cinema 2