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Ryoji Ikeda presents a show in two parts; first applying his signature musical aesthetic to acoustic instruments, before manipulating the data that permeates our world into an audio-visual spectacle.
music for percussion sees Ikeda joins forces with Swiss collective Eklekto for a project that sets aside projections and electronic sounds to focus solely on four percussionists. The performance subverts the audience’s expectations with the players manipulating their instruments in unconventional ways, to unpredictable effect. Using handclaps, crotales, cymbals and the triangle, the piece focuses on the purity of sound, creating textures reminiscent of Electronic music.
datamatics [ver. 2.0] takes the seemingly mundane - data - and uses it as a source for breath-taking sounds and visuals. From sequences of patterns derived from hard drive errors, the imagery transforms into dramatic rotating views of the universe in 3D. The hypnotic soundtrack mirrors the imagery, meshing bleeps, crescendos and bass into a kaleidoscopic soundscape.
This performance will contain strobe lighting.
Please note that Ryoji Ikeda will be performing from Front of House and will not be on stage.
music for percussion credits
concept, composition: Ryoji Ikeda
percussionists (Eklekto): Alexandre Babel, Stéphane Garin, Lucas Genas, Dorian Fretto
stage manager (Eklekto): Nadan Rojnic
co-production: Eklekto Geneva Percussion Center, Ryoji Ikeda Studio, La Bâtie Festival de Genève
tour production: Richard Castelli - Epidemic
datamatics credits
directed by Ryoji Ikeda
concept, composition: Ryoji Ikeda
computer graphics, programming: Shohei Matsukawa, Norimichi Hirakawa, Tomonaga Tokuyama
co-commissioned by AV Festival 06, ZeroOne San Jose & ISEA 2006, 2006
co-produced by Les Spectacles vivants, Centre Pompidou, Yamaguchi Center for Arts and Media (YCAM), 2008
supported by Recombinant Media Labs
produced by Forma
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Booking fees
£4 booking fee per online/phone transaction.
No fee when tickets are booked in person.
Booking fees are per transaction and not per ticket. If your booking contains several events the highest booking fee will apply. The booking fee may be reduced on certain events. Members do not pay booking fees.
Programme

Digital Programme: Ryoji Ikeda
In an effort to be more sustainable, we're trialling discontinuing our printed freesheets at gigs.
Read tonight's programme now including running times, venue information and what else is happening at the Barbican while you're here.
Stage times
Start time: 7.30pm
music for percussion: 50 mins
Interval: 20 mins
datamatics [ver. 2.0]: 55 mins
As a guide, please note that events usually finish by 11pm at the latest
Please note all timings are approximate and subject to change
Discover

Long read: Japanese Pioneers
Tokyo-based journalist Ian F Martin looks back through the decades to see who was responsible for the genre-defining music emerging from the Japanese underground scenes over the past 40 years.

Listen: Japanese Innovators on Spotify
Listen to our Japanese Innovators playlist, featuring artists from Japanese underground scenes responsible for genre-defining music over the past 40 years.

Listen: Ryoji Ikeda's Music for Percussion
Ryoji Ikeda collaborates with The Vinyl Factory on a remarkable vinyl-only release housing 10 locked grooves, each consisting of a unique sine wave with a different frequency correlating to a different planet in the solar system.

Listen: Barbican Recommends
Not sure what to listen to? Every month we update our Barbican Recommends Spotify playlist with what we've been listening to in the office. Expect everything from Punk to Jungle to Classical.
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Barbican Hall
Location
The Barbican Hall is located within the main Barbican building. Head to Level G and follow the signs to find your seating level.
Address
Barbican Centre
Silk Street, London
EC2Y 8DS
Public transport
The Barbican is widely accessible by bus, tube, train and by foot or bicycle. Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance.
We’ve plenty of places for you to relax and replenish, from coffee and cake to wood-fired pizzas and full pre-theatre menus
Mobility
Spaces for wheelchair users in row U at the rear of the stalls (up to sixteen, depth of row 180cm) and the back row of the circle (four), both with fold-down companion seats. Some seats in row S of the stalls for people with very limited mobility.
Assistance dogs
Assistance dogs may be taken into the concert hall where there are a limited number of suitable seats in row G of the stalls. If you prefer, you may leave your dog with a member of the cloakroom staff during the performance.
Hearing facility
There is an induction loop in the concert hall. You can use this by adjusting your hearing aid to the ‘T’ setting.
Free large-print programmes
These are available for most of our concerts. Please contact access@barbican.org.uk at least a week beforehand, to prebook a large-print programmme.
For more access information, please visit our Accessibility section.