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The Chosen One

Academy of Ancient Music

,Milton Court Concert Hall
A painting of a satyr

Leipzig’s got talent: in 1723 Bach competed for one of Germany’s top musical jobs. Today, Laurence Cummings and Academy of Ancient Music reveal exactly what he was up against.

Genius loves company, but when a plum job is up for grabs the gloves come off. After Bach got the gig in Leipzig in 1723, his disappointed employers made it very clear that he wasn’t even their second choice. So who came first – and, for that matter, second? You’d expect them to be good.

Today, we hear exactly how good, as Laurence Cummings and AAM re-open the Leipzig personnel files and go musical headhunting all over again. Hear the very cantatas that Georg Philipp Telemann and Christoph Graupner composed as musical job applications – music that gave Bach a run for his money. And then, of course, we’ll hear from the man himself: first among equals in a golden age of sacred music.

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Promoted by Academy of Ancient Music

Programme

Christoph Graupner ‘Lobet den Herrn alle Heiden’ GWV 1113/23b
Georg Philipp Telemann ‘Ich muß auf den Bergen weinen und heulen’ TVWV 1/591
Johann Sebastian Bach ‘Du wahrer Gott und Davis Sohn’ BWV 23

Performers

Academy of Ancient Music orchestra & choir
Laurence Cummings director & harpsichord
Hilary Cronin soprano
Helen Charlston alto
Nick Pritchard tenor
Ben Kazez bass

Ticket prices

£12

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Milton Court Concert Hall