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Barbican Renewal Public Consultation

A wide shot photograph of the Barbican Lakeside Terrace in sunlight

Photo by Dion Barrett

Barbican Renewal will ensure every part of the Barbican Centre’s iconic site is restored, revitalised and relevant for future generations.

The Barbican is a Grade II listed Brutalist icon. Since the doors opened in 1982, it has become a world-renowned destination, offering a creative programme of unique breadth in spaces of exceptional architectural significance.

Over the past four decades the Barbican Centre has welcomed up to 2 million visitors a year. To continue serving new audiences it is now essential to address the challenging conditions of the site. Through Renewal, building systems and fabric will be upgraded and restored, while underused areas will be unlocked, releasing their full potential for public, civic and creative use.

At the heart of Renewal is a commitment to celebrating the architectural vision and heritage of the Centre. A programme of sensitive conservation and improvement will bring the buildings back to their best, while delivering a place that is truly inclusive, sustainable and future-facing.

This consultation seeks public input on the first set of projects, which focus on some of the most significant free public areas of the Centre: the unique brutalist Foyers, Lakeside, and Conservatory. 

Barbican Renewal Consultation Survey

We'd like to know what you think about our direction for Renewal, and our plans for the Foyers, Lakeside and Conservatory.

The story so far

Development of the project

2021

Renewal begins with a competition to appoint an expert design team

2022

Start of design work led by Allies & Morrison, Asif Khan Studio and Buro Happold

2023

£25m of funding from City of London Corporation to progress urgent works

2024

Further design development and works start on toilets, lifts and backstage systems

 

Consultation and public involvement

2022

Public listening exercise, engagement and workshops with audiences, local residents, community groups and artists

2023

Continued engagement with local stakeholders and users

2024

Co-design process involving 24 young Londoners to ensure our proposals meet the needs of future audiences

Design principles

Based on our priorities for Renewal and the feedback from early consultation and engagement, we have developed these design principles to guide the development of our projects.

Repair and conserve
Celebrate the Barbican’s iconic architecture, honouring the bold vision at the heart of the Centre’s development

Design for all
Deliver an exceptional welcome for everyone through improved access, circulation, wayfinding and facilities 

Reactivate space
Revitalise underused spaces, opening them up to the public and delivering creative offers that speak to new audiences

Focus on sustainability
Replace ageing and outdated building systems, to meet net zero targets and secure the Barbican for future generations

A section drawing of the Barbican Centre by John Maltby

A black and white architectural drawing of a cross section of the Barbican Centre by John Maltby

The Barbican Centre's architectural heritage

The Barbican Centre sits within the wider Barbican Estate, built on the ruins of the largest bomb site in London. The project began in the 1950s and continued for over 30 years, with the arts centre built in a later phase from 1971 and opening in 1982.

Ambitions for the Centre grew through the life of the project, finally encompassing a concert hall, theatre, studio theatre, cinemas, library, art gallery, conservatory, restaurants and offices. To fit this into an estate already under construction, architects Chamberlin, Powell and Bon squeezed the arts centre downwards, into a space as deep as it is wide.

Since opening in 1982, the Centre has developed an international reputation for its creative programming, alongside being famously difficult to navigate. Over the years it has undergone many alterations and additions, ranging from changes to signage, wayfinding and lighting, to the repurposing of Silk Street into a pedestrian entrance.

In 2001, the entire Barbican complex received Grade II listed status in recognition of its Brutalist architecture, elaborate multi-level planning and richly textured materials. This consistency of design and scale of ambition have made the Barbican one of the most celebrated post-war developments in the world. 
 

Barbican Renewal

While Renewal will over time make improvements to all parts of the Centre, Phase 1 focuses on three areas in particular, addressing some of the Centre’s best-known public spaces. 

Foyers

In keeping with the wider Estate, the Foyers are notable for their monumental use of reinforced concrete, left exposed with a hand-hammered finish. This is showcased in huge columns set in contrast with luxurious materials such as brass handrails and wood block flooring. 

Even the toilets are distinctive, their walls lined with terrazzo made from crushed stone. The Foyers have huge scale across multiple levels linked by broad staircases.

More about the Foyers

Lakeside

The Foyers link directly with the Estate’s popular Lakeside, characterised by its brick-paved terrace with fountains set in circular brick beds.

This wide terrace provides key views of the Centre including its three floors of cafes and restaurants, Conservatory and the exteriors of the Art Gallery and Library. The terrace features the famous Barbican concrete, but also displays areas clad in vertical white tiles and balconies with the ‘boat edge’ design seen throughout the Estate. At the centre, a rounded, glazed staircase tower links the different levels.  
 

More about Lakeside

Conservatory

The Barbican Conservatory is the largest 20th century glasshouse in London and is one of the capital’s most unique and remarkable spaces. It hosts around 1,500 species of plants, in a dramatic setting built around the 100ft tall Theatre fly tower.

As well as its striking contrast of concrete with vibrant planting, the Conservatory has an innovative bespoke steel structure and aluminium-framed glazing, with planting beds formed from the brick paving used across the Estate. 
 

More about the Conservatory

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