What will it take for it to be the norm to hear music by women in concerts? Sarah Cahill, Errollyn Wallen and Arlene Sierra share their thoughts in a panel discussion chaired by Helen Wallace.
Why do the majority of standard concerts still feature music solely composed by men? Should the focus be on commissioning new music by women, or bringing previous compositions into standard repertoire? Following today’s mighty, day-long celebration in our Conservatory, pianist Sarah Cahill's shown that there’s a bountiful supply of extraordinary music by women.
Following the world premieres of their piano works earlier in the day, Arlene Sierra and Errollyn Wallen (composer of 2021 Barbican-commissioned opera Dido’s Ghost), reflect with Cahill on The Future is Female, reframing the past and advocating for the voices of women through the centuries. Leading the discussion is champion of women’s music Helen Wallace, Artistic Director of King’s Place and curator of their Venus Unwrapped series.
A limited number of walk-up tickets may be available on the day, depending on capacity.
Produced by the Barbican
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Location
The Barbican Conservatory is located on Level 3, if you’re coming from inside the main Barbican building.
From the Barbican highwalks, follow signs to the ‘Barbican Centre’. Walking from Barbican tube station, you’ll see a steps with ‘Art Gallery’ above them, these will lead you up to the Sculpture Court where you'll see a sign for the Conservatory.
Address
Barbican Centre
Silk Street, London
EC2Y 8DS
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Access
The Conservatory is on the gallery floor (level 3), reached via the main lifts. Access Automatic glass doors (120cm wide) lead outside from the gallery floor and continue down a ramp (1:12). The Conservatory is on your right, entered through double doors (135cm wide). The Sculpture Court is on your left, up three steps or via a ramp.
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