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Digital Programme: Frau Trapp: Five Lines

An image of a person bent over a table inspecting a trumpet

Welcome to the Barbican

And thank you for joining us to start the new year as MimeLondon returns.

We are delighted to present four breathtaking productions from leading international artists making their Barbican debuts between 14 January and 1 February, including award-winning work in the Theatre and three UK premieres in The Pit. It’s a pleasure to be working again with MimeLondon's directors, Helen Lannaghan and Joseph Seelig, as they find new ways to connect us all to companies across the world who specialise in groundbreaking visual storytelling.

First up, La Manékine by French company La Pendue is a thrilling adaptation of the Brothers Grimm fairy tale about female emancipation, brought to vibrant life with striking puppetry, digital projection and a live one-man orchestra.

This is followed by Galway-based Brú Theatre exploring the forgotten lives of the Irish navvies in Not a Word, merging mask, movement and live electronic and traditional music.

Next, French-Norwegian company Plexus Polaire take to the Barbican Theatre’s epic stage to reinvent Herman Melville's classic with a spectacular adaptation of Moby Dick, featuring fifty puppets including a life-sized whale.

Finally, from Switzerland, Frau Trapp’s Five Lines explores human nature through the lens of one couple's relationship in a dystopian world, using micro cinema-theatre.

We hope you enjoy your visit, whether you are choosing just one show or coming back for more of these intricate and spellbinding contemporary performances.

Toni Racklin, Barbican Head of Theatre & Dance

 

We’re delighted to be collaborating with the Barbican once again, a valued relationship that started almost 25 years ago. During that time, in partnership with the Barbican, our programmes have brought many wonderful theatre experiences to London audiences, including four Olivier Award-nominated productions. We look forward to another exciting contemporary visual theatre series in 2025.

Helen Lannaghan, for MimeLondon     
Directors: Helen Lannaghan and Joseph Seelig 

 

This is our first time performing in England, and we never imagined it would be at MimeLondon. That makes this moment incredibly special for us. We’re excited to share our show with the Barbican’s audience and hope everyone immerses themselves in this miniature world as deeply as we do every time we perform.

Matteo Frau and Mina Trapp, Artistic Directors, Frau Trapp

The Company

Performers
Interpretation and manipulation Sebi Escarpenter, Matteo Frau, Dalo Lozano, Mina Trapp
Voiceover Mila von Chobiak

Creative Team
Writers Natalia Barraza, Matteo Frau, Mina Trapp
Director Natalia Barraza
Original Music Matteo Frau
Video Design, Filming and Editing Sebi Escarpenter, Ariel F Verba
Miniatures/Set and Costume Designer Mina Trapp
Lighting Designer Ivan Tomasevic
Miniatures Lighting Designer Sebi Escarpenter
Producer and Promotion Frau Trapp

Event Information

Age guidance: 12+

Running time: 1 hour; there is no interval

BSL-interpreted performance  
Wed 29 Jan
BSL-interpreted by Martin Fox-Roberts.

Post-show talk
Wed 29 Jan
Free to same-day ticket holders. BSL-interpreted by Martin Fox-Roberts.

Presented by the Barbican

Photography © Frau Trapp

Telling stories through Micro-Cinema-Theatre

The language of Micro-Cinema-Theatre is very recent and combines audiovisual arts, projected in real time with the performing arts, bringing together the world of cinema with the worlds of theatre, music and objects. As creator Matteo Frau explains, ‘The audience sees a film that is shot live with four cameras. Puppets and miniature set pieces are manipulated live to live music.’

The term ‘micro’ refers to the use of small-scale objects and stage sets which, when filmed and projected, give the impression of being life-sized. This enables the company to explore objects, sets and materials in a new dimension using different types of cameras, creating coherent worlds in two or three dimensions. With the help of music and manipulation, these come to life on the screen. ‘The camera allows a different point of view’, explains director Natalia Barraza. ‘The audience can see the main image on screen, and enjoy the story and the presentation – but the camera brings us even closer to messages that add other information to the story.’

All incoming live material is managed through video, audio or text software.

The story of Five Lines ‘takes place after a climate collapse’, says Mina Trapp, co-creator of the piece. ‘We can see the consequences everywhere, but no urgent measures are taken: it seems as if we are waiting for everything to end. But Five Lines isn’t only an environmental piece; it is also a love story that talks about success and failure, among other things.’

Biographies

About Frau Trapp

A journey of creativity and passion

Matteo Frau and Mina Trapp met in 2016 when they both participated in a micro-cinema-theatre course, and were fascinated by the miniature world that can be brought to the big screen. They decided to collaborate. They have since played together in several music bands, created a street theatre piece, and they run the creative space, Can Pink i Boogie, in Mataró, Spain. They are currently creating a new production, Out, for autumn 2026. The company live between Switzerland and Spain.

frautrapp.com

 

About MimeLondon

MimeLondon is a curatorial project created by Helen Lannaghan and Joseph Seelig, directors of London International Mime Festival (LIMF), which ended in 2023 after five decades of influential success. It supports occasional seasons of contemporary visual theatre, in collaboration with different partner venues.

Continuing its valued, long-standing relationship with the Barbican as its principal venue, this second series features seven productions new to London. A series of workshops based in physical, visual and puppetry theatre also takes place during the same period, together with the online screening of an award-winning short film, The Last Show, documenting the final edition of LIMF and containing interviews with many of the personalities involved in its history. 

Find out more at MimeLondon.com

Special Thanks

The company would like to thank the Barbican and MimeLondon teams for their support in presenting this performance. 

From the Barbican

Barbican Centre Board
Chair
Sir William Russell
Deputy Chair
Tijs Broeke
Deputy Chair
Tobi Ruth Adebekun

 

Board Members
Randall Anderson, Munsur Ali, Michael Asante MBE, Stephen Bediako OBE, Farmida Bi CBE, Zulum Elumogo, Jaspreet Hodgson, Nicholas Lyons, Mark Page, Anett Rideg, Jens Riegelsberger, Jane Roscoe, Despina Tsatsas, Irem Yerdelen

 

Clerk to the Board
John Cater and Kate Doidge
Barbican Centre Trust Chair
Farmida Bi CBE
Vice Chair
Robert Glick OBE

 

Trustees
Stephanie Camu, Tony Chambers, Cas Donald, David Kapur, Ann Kenrick, Kendall Langford, Sir William Russell, Sian Westerman

 

Directors
Chief Executive Officer (Interim)
David Farnsworth
Deputy CEO (Interim)
Ali Mirza
Director of Development
Natasha Harris
Head of Finance & Business Administration
Sarah Wall
Director for Buildings & Renewal
Dr Philippa Simpson
Director of Commercial
Jackie Boughton
Director for Audiences
Beau Vigushin
Director for Arts and Participation
Devyani Saltzman
Executive Assistant to CEO
Hannah Hoban

 

Theatre Department
Head of Theatre and Dance
Toni Racklin
Senior Production Manager
Simon Bourne
Producers
Liz Eddy, Jill Shelley, Fiona Stewart
Assistant Producers
Mrinmoyee Roy, Mali Siloko, Tom Titherington
Production Managers
Jamie Maisey, Lee Tasker
Technical Managers
Steve Daly, Jane Dickerson, Nik Kennedy, Martin Morgan, Stevie Porter
Stage Managers
Lucinda Hamlin, Charlotte Oliver 
Technical Supervisors
James Breedon, Charlie Mann, Josh Massey, Matt Nelson, Adam Parrott, Lawrence Sills, Chris Wilby
Technicians
Kendell Foster, David Kennard, Burcham Johnson, Bart Kuta, Christian Lyons, Kieran Poynter, Fred Riding, Fede Spada, Matt Turnbull
PA to Head of Theatre
David Green
Production Administrator
Caroline Hall
Production Assistant
Ashley Panton
Stage Door
Julian Fox, aLbi Gravener

Creative Collaboration
Head of Creative Collaboration
Karena Johnson 
Senior Producer for Learning and Participation
Oluwatoyin Odunsi
Senior Manager
Sarah Mangan
Producer
Josie Dick
Assistant Producer
Carmen Okome

 

Marketing Department
Head of Marketing
Jackie Ellis
Deputy Head of Marketing
Ben Jefferies
Senior Marketing Manager
Kyle Bradshaw
Marketing Manager
Rebecca Moore
Marketing Assistants
Antonia Georgieva, Ossama Nizami

 

Communications Department 
Head of Communications
James Tringham 
Senior Communications Manager
Ariane Oiticica  
Communications Manager 
HBL 
Communications Officer
Sumayyah Sheikh
Communications Assistant
Andrea Laing

 

Audience Experience
Senior Audience Experience Managers
Oliver Robinson, Liz Davies-Sadd, Ben Skinner
Ticket Sales Managers
Jane Thomas, Bradley Thompson, Lucy Allen
Ticket Sales Team Leaders
Molly Barber, Alex Steggles, Máire Vallely, Nicola Watkinson, Charlotte Day
Operations Managers
Tabitha Fourie, Aksel Nichols, Ben Raynor, Samantha Teatheredge, Hayley Zwolinska
Operations Manager (Health & Safety)
Mo Reideman 
Audience Event & Planning Manager
Freda Pouflis
Venue Managers
Catherine Campion, Scott Davies, Maria Pateli, Lotty Reeve, Shabana Zaman
Assistant Venue Managers
Sam Hind, Bronagh Leneghan, Melissa Olcese, Daniel Young
Young Crew Management
Dave Magwood, Rob Magwood, James Towell
Access and Licensing Manager    
Rebecca Oliver  

 

Security
Operations Manager
Naqash Sheikh
Audience Experience Coordinator
Ayelen Fananas